SCHOOL OF ATHENS 2.0
(Unfinished Draft)
Artwork by Justin Cullins, 2024
Created in Rome, Italy, at the Vatican during his time abroad—the home of the Pope and the historical site of the Roman Empire and apostles Paul and Peter—this piece represents both a homage and a reimagination of Raphael's iconic School of Athens.
In his search for truth and respect for the original painting and its ideology, Cullins chose not to exactly mimic Raphael's beautiful work but to offer a fresh perspective. His approach intentionally avoids potential biases tied to the identity of the original painting, while engaging with its timeless themes.
This updated version exemplifies modern ideologies and sciences that emerged after the creation of the original (1509), presenting a vision of kingdom prosperity. Notable figures such as Isaac Newton are featured, illustrating his kingdom-inspired views on science and the profound impact they made. Albert Einstein is also depicted, highlighting his revolutionary ideas of general relativity, which, despite not being explicitly kingdom-centered, reflect God's overarching design of time and space.
Cullins expands the conversation to include divine perspectives on time—a concept rarely considered in classical philosophy or art. By juxtaposing modern understandings, such as the Big Bang theory and the concept of a universe with a beginning, against Aristotle's original idea of an infinite universe, this painting sparks reflection on how scientific and theological ideas intersect and evolve.
In addition, Cullins incorporates his African American roots into the piece, subtly reflecting diversity within the traditionally homogenous world of academia. While not overly imposing, this inclusion serves to expand the perspective of the academic world into a more inclusive and real-world view. The painting emphasizes that knowledge, wisdom, and truth are universal, transcending cultural boundaries and offering a more inclusive vision of the intellectual journey.
Ultimately, School of Athens 2.0 exemplifies Kingdom Thinking, merging ancient and modern philosophies and sciences to present a harmonious vision of God's truth across time. It offers a profound dialogue between classical wisdom and divine revelation, inviting viewers to contemplate the coexistence of faith, science, and the pursuit of knowledge.
The artwork, measuring 32 x 40 inches and painted in oil on canvas, is still in progress. The finished piece is expected within a few months and is currently being shipped back to the United States.
Set for Completion: June 2025 - Currently in Sicily, Italy
Cullins’ Visit inside the Vatican Museums 2024
